Podium tight for the first sessions in paris : “My Life with John F. Donovan” by Xavier Dolan takes the lead, closely followed by the comedies “the Rebels” and “My Baby”. Check out the complete table. Shayne Laverdière RangFilmEntrées*Number of copies*Average per copy*1 My life with John F. Donovan 1 645 26 63 2 Rebels 1 543 20 77 3 My baby 1 405 25 59 4 Convoy exceptional 1 081 15 72 5 Dragon Ball Super Broly 713 11 65 6 Aïlo : an odyssey in Lapland 279 11 25 7 The witnesses of Lendsdorf 238 8 30 8 McQueen 65 1 65 9 Rosie Davis 58 2 29 10 Meltem 55 1 55 11 We the Animals 26 3 9 12 Since Mediapart 15 1 15 13 The small factory of clouds 15 4 8 14 Teret 13 2 7 15 Honeymoon 9 1 9 16 Pau 4 1 4 17 Schindler’s list (reprise) 3 1 3 18 Wall 3 1 3 remember : My Life with John F. Donovan , the new film by Xavier Dolan starts less strong than Just the end of the world, presented in competition at Cannes in 2016 : this movie had brought together more than 2900 followers of the filmmaker to the first screenings in paris. Rebel , directed by Allan Mauduit, co-director of Wicked, is better than the comedy carried by Marilou Berry, who had recorded 1046 entries in the first sessions in 2008. 10 years after LOL, Lisa Azuelos has created a new family comedy, My baby , cradled in the continuity of this success to the director. The film carried by Sandrine Kiberlain starts a little less well than LOL, by uniting 1405 spectators, compared to 1975 (19 copies) for LOL in 2009. Finally, Bertrand Blier is at the foot of the podium with Exceptional Convoy , his new feature film after The Noise of the ice in 2010. Exceptional convoy is less with 1081 curious counter 1637 to his previous film. Our meeting with Kit Harington for the release of the new film by Xavier Dolan, My Life with John F. Donovan : Kit Harington on John F Donovan : "With Xavier Dolan, you really need to let go" Source : CBO Box-Office

False Joint : the blunders and errors of Unbreakable & Split
Tonight on tv : matt "the daughter of The 14th of July", it zaps "Alien : Covenant"

For his new feature film, Danny Boyle takes us to a world where the Beatles never existed. A young man who remembers the band becomes a phenomenon when he decides to exploit their tubes. Check out the trailer for Yesterday. And if the Beatles had never existed ? If John, Paul, George and Ringo had never met ? If they had not written the most beautiful pieces of history, forever changed music and influenced the groups most cults which succeeded them ? It is this unthinkable point of departure that was born Yesterday, the new feature film from Danny Boyle. In the same way as Jean-Philippe, Yesterday follows a man who seems to be the only one to remember that the Beatles existed. Unlike Fabrice Luchini who will seek to put a hand on Johnny Hallyday to make it go up on stage, the young musician English will be the most famous songs of the quartet to break through. Capture d'display A reference to the last concert of the Beatles on the roof of Apple Records As you can see in the trailer, the aesthetic is very “Yellow Submarine”, the film tells primarily the behind the scenes of a meteoric rise. That of an illustrious stranger, who becomes the darling of the record industry and the darling of fans around the world. A true Beatlemania solo and at the hour of social networks. Written by the prominent and music-lover Richard Curtis – director of rock n roll Good Morning England is now on the cover of Sgt Peppers Lonely Hearts Club Band reconstructed by the artist Peter Blake in 2012 – Yesterday marked the fourth fiction developed around the Beatles. The latest being the outrageous musical comedy Across the Universe, released in 2007. Led by Himesh Patel, Lily James and Kate McKinnon, Yesterday if also offers the services of Ed Sheeran in his own role. Immerse yourself in a world without the Beatles on July 3.

France 2 disrupts the programming of the grid in the evening of this Sunday, January 27, in proposing “The young girls of Rochefort” (21h) and “The Thomas Crown Affair” (22h45) in place of “The Revenant” and “Kill Bill 2”. France 2 pays tribute to Michel Legrand, disappeared on Saturday 26 January 2019 at the age of 86 years, transforming its programs to the evening of 27 January. The public channel has chosen to broadcast The young girls of Rochefort and The Thomas Crown Affair in, respectively, 21 and 22: 45. The two films initially planned, The Revenant and Kill Bill vol 2, so are déprogrammés. Arte shakes also its table and broadcasts The Umbrellas of Cherbourg at 21h. The trailer for the Umbrellas of Cherbourg : The Umbrellas of Cherbourg trailer VF

In march, “The Mysteries of Love”, the emblematic series of TF1 will celebrate the broadcast of its 500th episode. And for the occasion, the channel has posted a trailer for the original, tracing the story of our couples in the headlights… On Saturday, 19 march at 19: 50, TMC will broadcast the 500th episode of the Mysteries of Love, its flagship program, with Hélène Rolles, Patrick Puydebat and Elsa Esnoult. Has the antenna from the February 12, 2011, it is the third series derived from Hélène and the Boys, after The Miracle of love and The Holiday of love, which focuses this time on the stories of heart of Hélène, Nicolas, Christian and others, so that they are approaching the age of forty. And during those 8 years and 20 seasons, a lot, but then a lot of things have happened, as is amused at the TF1 group, in a trailer offset : #Evenement
The Mysteries of Love : the 500eme episode, Saturday, march 16 19.50 @TMCtv 🍾

Check out the trailer recap ⤵️ #LMDLA pic.twitter.com/IOz48NVNI1 TF1 — Pro (@TF1Pro) 6 march 2019 on the occasion of this episode very special, we will see Leah (Manon Schraen) attempt to reason with Nicky (Valentin Byls), and do everything to save him, while, on his side, Jimmy (Tom Schacht), still very concerned about the state of Sophie (Charlene Francis), will take the band to the hospital for support. Finally Fanny, following her concert, is aware of its success.

Fabien Onteniente on All Inclusive : "With Franck Dubosc, it is a bit like Souchon and Voulzy, but in the bullshit !"
Tomorrow belongs to us : what awaits you in episode 407 of Monday, February 25, 2019 [SPOILERS]

A study conducted by the MPAA on the Box Office american of the year 2018 reveals a vintage rather flat, saved by a few rebounds, such as “Black Panther” or “The Incredibles 2″… And stresses the great importance of Netflix. Marvel According to a study commissioned by The Entertainment Industry Trade Group the MPAA, which is for the memory of the Motion Picture Association of America, that is to say, the body of classification of films in the United States, the results of the Box-Office US to the year 2018 are not large financial returns, but rather half-hearted. Thus, the BO-US has benefited from a rebound fueled by blockbuster movies such as Black Panther or the Incredibles 2, allowing ticket sales to jump by 7% and report 11.9 billion $. The business (global) of the Entertainment has registered an increase of 16%, which has helped to bring back last year in the United States 55,7 billion $. But it is an increase that can be explained according to the study, thanks to the market’s digital, whether it be rentals, sales, or streaming services such as Netflix. Thus, the domestic market of digital has increased by 24% to reach $ 17.5 billion $. At the international level underlines the study, these sales amounted to 25.1 billion $. Figures that seem to offset the very sharp decline in consumption on physical media such as DVD or Blu-ray. Because in the United States, sales are in freefall : -15%. Four years ago, physical sales weighed still 10.3 billion $ in the United States, where they weigh now more than 5.8 billion $. During this same period, consumer spending on digital has increased by 170% overall. This impressive increase is mainly due to platforms like Netflix, Amazon Prime or other services. For the first time, the study notes, the number of subscriptions to online subscriptions to these platforms has exceeded the subscriptions to Cable channels. With the collapse of sales of physical media, the Majors have sought to encourage consumers to buy the movies in digital version. Except that these latter have not really applied the instruction to the letter… According to the study, they clearly prefer to forage on the content distributed by streaming via Netflix, rather than practice the act of purchase “a la carte” of a film. A figure that does not lie : the number of subscriptions jumped from 28% in 2018, to report $ 13.3 billion $, where purchases and rentals to the act have dropped by 5%, to report (still) $ 10 billion. In all cases of results that do not fall straightforwardly point to Disney, the new entity WarnerMedia and Comcast, who prepare it in their pipes just new platforms of VOD as a way of countering the giant Netflix. We may recall in this respect the recent remarks of Barry Diller, former CEO of Fox studios and Paramount. Invited last February in a Podcast titled Recode Decode , the person delivered a diagnosis is straightforward : “Those who run after Netflix are stupid. Netflix has won the battle. I believe that nobody can compete with their subscribers, which provides a huge domination”. And this is also true according to Diller for the competitor of Netflix, Amazon Prime, “which has not been designed to bid as aggressively as Netflix on the stars of tomorrow”.